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Concert review: Boca Raton Philharmonic Symphonia
By Sharon McDaniel
Palm Beach Post Music Writer
Wednesday, December 21, 2005
Sure, there can be one, two, even three soloists. But the list mounted
to 34 at last count, including individual players of the Boca Raton
Philharmonic Symphonia.
The fine playing Sunday afternoon at the Florida Atlantic University
Theatre started with guest pianist Mei-Ting Sun and guest conductor
Alastair Willis. In only the second concert of its inaugural season,
the new Boca orchestra is flexing musical muscles that could make
it a heavyweight contender.
The program was a star, too: Beethoven's Piano Concerto No.
5 (Emperor), Musica Celestis of Aaron Jay Kernis in its
local premiere, and Stravinsky's Suite from Pulcinella.
Pianist Mei-Ting Sun led off the adventure, proving it possible
to transform a familiar oldie into an avant-garde shocker. Sun would
no sooner settle into a beautifully fluid, Old World Emperor
than he'd toss the book aside in favor of a personal "comment."
He loved tinkering with the rhythm. The slow-fast effect could be
refreshing and maddening, like Beethoven with a rhythmic "lisp."
Yet Sun could also build grandeur into even the smallest musical
gestures.
In the final movement, he let slip some rather cut-and-dry passages,
while elsewhere he could speak volumes in a single note. A wonderful
mix of empathy, drama and disarmingly clean playing, Sun can translate
his slightest whim into direct communication with his audience.
But be forewarned: Sun allowed the piano strings to vibrate long
after the orchestra cut-off in the first movement. Perhaps he wanted
to discourage applause that would disrupt the start of the hymn-like
slow movement. He succeeded, but it'll sound pretty strange on the
radio broadcast (WXEL FM-90.7, Feb. 22 at 8 p.m.).
In Beethoven's Overture to The Creatures
of Prometheus, polished and assured string playing began to
emerge despite the hall's bone-dry acoustics. The concerto opened
with a European warmth and depth.
Conductor Alastair Willis, a 33-year-old Massachusetts native raised
in Moscow and England, has worked with stars from chef Emeril Lagasse
to cellist Yo-Yo Ma. He "paints" sound, adding warmth and depth
the way a visual artist blends colors. A former assistant conductor
with the Seattle and Cincinnati Symphony orchestras, Willis made
it his mission with Boca to uncover tiny, unnoticed orchestral details.
When he wasn't balanced on the podium in fluid, graceful Tai Chi
positions, he chatted about the music. He introduced Musica Celestis
(Celestial Music, 1990), by Pulitzer Prize-winning composer Aaron
Jay Kernis. The 11-minute work for string orchestra is an orchestration
of his String Quartet No. 1, second movement.
Personality, freshness, fun and sparkle made a lovely gift
package, delivered by a group that is stretching itself beautifully
and confidently.
Copyright © 2005, The Palm Beach Post. All
rights reserved.
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